The Concept of Aesthetics in Tennyson’s Poetry
DOI:
https://doi.org/10.53103/cjlls.v3i1.82Keywords:
Tennyson’s Poetry, Aestheticism, Form and Content, Art For Art’s Sake, Victorian Poetry, Lotos EatersAbstract
Aestheticism is a literary movement appeared in the 18th century appreciating beauty as the highest quality in man or nature. Lord Alfred Tennyson (1800-1892) felt the impact of the movement that consequently echoed in his poetry. This paper aims to explore Tennyson’s notion of aestheticism, found in his poetry, through true analysis of many of his famous poems. Tennyson aesthetics is clear in his poetic forms as well as in his poetic contents. His aestheticism is typically based on the general credo ‘Art for Art’s sake’, but away from its moral concepts and social matters.
References
Aldington, R. (1950). The religion of beauty selections from the aesthetes, intro. London: Heinemann.
Asıatıdou, A. (2021). The metaphysics of the form: Aesthetic reality and speculative realism in the art of Alfred Lord Tennyson. Gaziantep University Journal of Social Sciences , 20 (1), 110-124 .
Brimley, G. (2021). ‘Alfred Tennyson’s Poems’, in Cambridge Essays (Cambridge: Cambridge University Press.
Byecroft, B. (2003). English 151, Brown University, 2003. Retrieved from Victorian Web Home —> Authors —> Alfred Tennyson —> Works —> Theme and Subject —> Image, Symbol, and Motif] https://victorianweb.org/authors/tennyson/byecroft1.html
Fenner, W. (2010). Why has aesthetic formalism fallen on hard times? Philosophy Faculty Publications, 92-106. 2010. Retrieved from http://digitalcommons.unf.edu/aphi_facpub/2
Eliot, T. S. (2014). Essays ancient and modern. Oxford: Houghton Mifflin Harcourt.
Findlay, L. M. (1973). The introduction of the phrase "Art for Art's Sake" into English', Notes and Queries.
Hallam, A. H. (1863). Remains in verse and prose. London: John Murray.
Hallam, A. H. (1893). The Poems of Arthur Hallam, together with his essay on lyrical poems of Tennyson’, ed. Richard Le Gallienne, London.
Hamilton, W. (1882). The aesthetic movement in England. Kessinger Publishing.
Harman, G. (2018). Object-oriented ontology: A new theory of everything. Great Britain: Pelican Books.
Horne, R. H. (1844). A new spirit of the age. London: Smith.
Howell, A. C. (1936). Tennyson's ‘Palace of Art’: An Interpretation. Studies in Philology, 33(3), 507-522.
Jump, J. D. (1967). Tennyson: The critical heritage. London: Routlege & Kegan Paul.
Kang, S. D. (19930. The aethetics of sorrow. PhD, Dissertation, University of North Texas, Denton, Texas.
Kant, I. (2001). In A.W. Wood (Ed). Basic writings of Kant. New York: Modern Library.
Lamarque, P. (2012). History of aesthetics. An introduction to the aesthetic movement. Retrievd from https://www.vam.ac.uk/articles/an-introduction-to-the-aesthetic-movement.
Le Gallienne, R. (1893). The poems of Arthur Henry Hallam, together with his essay on the lyrical poems of Alfred Tennyson. London: Elkin Matthews.
Leighton, A. (2001). Touching forms: Tennyson and aestheticism. Research Bulletin; Lincoln, 7(5), 223.
McLuh, H. M. (1960). ‘Tennyson and picturesque poetry’, in Critical Essays on the Poetry of Tennyson, ed. John Killham. London: Roudedge & Kegan Paul.
Pater, W. H. (1885). Marius the Epicurean. A Project Gutenberg of Australia eBook.
Piash. ‘Treatment of Nature in the poems of Tennyson’
Retrieved on 26 April, 2020 from https://literaryquotation.net/treatment-of-nature-in-the-poem-of-tennyson.
Plamondon, M. R. (2001). The musical aesthetics of the poetry of Tennyson and Browning. A PhD thesis. University of Toronto. Canada.
Smith, E. E. (1964). The two voices: Tennyson study. Lincoln: U of Nebraska.
Tennyson, L. A. (2007). The Lady of Shalott. In C. Ricks (Ed.), Alfred Lord Tennyson: Selected poems, 8-13. London: Penguin Classics.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Mohammed Harmoush

This work is licensed under a Creative Commons Attribution 4.0 International License.
All articles published by CJLLS are licensed under the Creative Commons Attribution 4.0 International License. This license permits third parties to copy, redistribute, remix, transform and build upon the original work provided that the original work and source is appropriately cited.